Bill Bryson's One Summer: America, 1927 is a good read only because it was written by Bill Bryson. By this I mean it really has no stated point but that's OK because it's funny and sarcastic. Strangely missing from the lengthy prologue is any explanation about why he wrote it.
Beyond his writing, what made me connect to the book was its unrelenting insistence that the grand, glorious and glamorous 1920s, the heyday of which was 1927, was in so many ways either no better than now or much, much worse. That appealed to me since one of my pet peeves is hearing the pining for the good old days of fake nostalgia. You will not come away feeling nostalgic after reading this book. I have no idea whether this was his intent.
It is roughly chronological, though there is inevitable jumping, chock full of vignettes. That made it perfect for tweeting, which I did in the several days it took for me to read it.
The upshot is that America in 1927 was a place where people followed sensationalistic murder stories with excited interest while ignoring real news about other countries; where athletes were revered despite the fact that many of them were terrible human beings; where racism, anti-Semitism, and gender discrimination were rampant and often celebrated; where mindless desire for profit soon led to disaster; and where corruption was widespread.
There were good things, of course. Charles Lindbergh showed how much aviation could achieve, though he himself was odd, anti-Semitic, and pro-eugenics. Movie and television technology led to all kinds of innovation. So it wasn't all bad.
So don't read it if you want a recreation of F. Scott Fitzgeraldish Jazz Age images (incidentally, in 1927 he was on the decline and practically begging for jobs) but if you want to think about how far we have or haven't come as a country, then it's well worth it.
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